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Barrier breakers

Barrier breakers

Natalia Martinez Paz was hiking the John Muir Trail, which winds along California’s Sierra Nevada mountains, in August when a chance encounter stopped her in her tracks.

“I remember this was a total shock to me,” she says. “I’ve never in my life seen this. It made me so happy, and it’s kind of sad how happy it made me.”

It wasn’t the idyllic Yosemite peaks or the giant trees in Sequoia National Park that prompted her reaction, but rather a group of 16 hikers.

“Every single one of them was Latin,” she says. “They looked like my parents. They sounded like my parents, with very thick accents or broken English. I remember being totally shocked. I’m 36 and I’ve been backpacking since I was eight. I’ve never seen people who look like my family (on the trail).”

Martinez Paz, whose parents immigrated to the U.S. from Colombia, shares this story with about 20 other people gathered in a circle in the middle of Tolt MacDonald Park in Washington, just over 40 kilometres east of Seattle.

It’s an unseasonably warm fall day in late September and the group—made up of people from various backgrounds, hailing largely from the Pacific Northwest—has travelled to this sprawling park nestled next to the Snowqualmie River to discuss exactly this issue: diversity in the outdoors.

They’ve come here to take part in the Refuge Outdoor Festival, a three-day camping experience that’s geared towards people of colour, with the goal of “building community through outdoor recreation, conversation … music and art that appeal to a diverse and inclusive audience,” according to organizers.

This particular session, one of many running throughout the weekend, is called “A History of Communities of Colour in the Outdoors,” and is led by Christopher Chalaka, the founder and executive director of Outdoor Asian.

“This workshop has been part of a greater project of resurfacing histories that haven’t been taught in schools, that we don’t come in contact with in general mainstream media, and sort of bringing and surfacing histories from our own ancestors’ lives, telling stories from our own experiences, as well as adding to our culture of the outdoors and what that looks like to today,” Chalaka tells participants. “And not just necessarily wanting to just join the current outdoor culture, but instead creating our own outdoor, mainstream culture in all its diversity.”

The participants share stories like Martinez Paz’s for over an hour about how their families have historically connected to the outdoors—from gardening to walking to more traditional outdoor pursuits—and what it’s like to be a person of colour in a predominantly white space.

But the festival is just one part of a greater movement currently underway. Spurred primarily by people of colour, and supported by allies and, slowly, even some within the outdoor industry, efforts to make outdoor places and sports more accessible to everyone are producing tangible change.

From hiking to climbing, skiing and snowboarding to mountain biking, in the U.S. and closer to home in B.C., they’re creating conversations, collecting hard data, breaking down barriers, and bringing people together in an effort to make the outdoors—the most basic of shared public spaces—a place everyone feels comfortable accessing, regardless of their colour, sexual orientation or gender.

Chevon Powell

Founder of the Refuge Outdoor Festival

In 2015, Chevon Powell was heading out on her first solo backpacking trip.

While driving at night to the Vermont hotel where she was staying before hitting the trail in the morning, a cop pulled her over.

“He asked me what I was doing in the area,” Powell recalls. “I said, ‘Outdoor recreation. I’m going backpacking.’ He told me my story was unbelievable and called for back-up … even though you could see my hiking shoes in the backseat. My backpack was in the trunk … In that moment, it was terrifying. It was night, I was by myself and it was only me and the cops. It was in 2015 when Michael Brown had already happened; Sandra Bland had already happened. All those situations, they make an impact on people that look like me because I don’t know what’s going to happen. “

The underlying message was clear to her: “The narrative in America is people who look like me—a plus-sized, black woman—are not outside. That cop couldn’t see that part of me being acceptable and OK.”

The truth is Powell has a long history of outdoor accomplishments—and it wasn’t the first time she’d heard of black women being underestimated in that way.

She recounted hearing about a mountaineer organization refusing to let the first black woman who climbed Mount Everest join them until she took a basic climbing class.

Aside from outright discrimination, Powell acknowledges people of colour have faced other barriers to accessing the outdoors. “There’s been historical trauma, there’s been historical implications on why people of colour in certain times in America’s past did not participate in the outdoors—because it wasn’t safe,” Powell says. “So some of our numbers are low. In the South, there’s still a, ‘I don’t know what’s going to happen to me out in the woods (mentality)’ because, frankly, stuff happened out in the woods. We have to look at what have been those issues in getting people outside because if you don’t pay attention to that, you’ll say, ‘Well, people of colour don’t do it because they just don’t.’ No. A lot of times this is passed down in our families.”

After sitting with that traumatic experience and grappling with these issues (along with living through a startling amount of personal tragedy, losing 12 family members in just one year), Powell decided to take a leap and put her skills as a long-time event planner to work, organizing the Refuge Outdoor Festival. With her company, Golden Brick Events, she had worked on plenty of corporate events, but the festival was her first foray into a “public-facing” event.

“This is what I can do to make change in the world,” she says. “Life happens. A lot of hard stuff is going to happen, so we all need to be using our gifts, our talents, our knowledge to make the world a better place. Refuge did that for people, for a moment. Maybe it’ll have a greater impact.”

This year’s festival attracted about 140 participants throughout the weekend, where they talked about issues of race and the outdoors, attended sessions teaching practical outdoor skills, and danced the night away.

“My focus was representation and conversation and (asking) how do people engage afterwards?” Powell explains. “It made me really happy people got what I was trying to put together and actually were able to take the time for themselves and enjoy the event. People are actually starting to take action and post events. I went to an event (writer Alice Walker speaking in Seattle) and ran into five people from the festival. A few were hanging out together.”

Plans are already underway for a second installation next year.

“My request for (attendees) as they left was, ‘Yes, you have this excitement of this moment. Don’t let it die in this week,'” she says. “Go have more of this (type of)conversation.”

Charlie Lieu

#SafeOutside

Charlie Lieu can be described many ways: as a data scientist, a climber with 25 years experience, a strong, all-around-outdoorswoman who revels in the opportunity to compete with men.

But, as of nine months ago, she’s also become a leader in the growing movement of people addressing the issue of sexual assault and harassment—in this case, in the climbing community.

“It was really interesting because I have experienced a lot of sexual harassment climbing, especially when I was younger. But I was somehow, like a lot of other people, able to compartmentalize that,” Lieu says. “I’d always think, ‘Oh, climbing is so wonderful and inclusive.”

That all changed when one particular man—a famous and well-loved member of the climbing community—attempted to grope her. “He didn’t succeed, so I tried to blow the whole thing off,” Lieu remembers. “I saw him grope two other women, but nobody made a big deal of it … What surprised me was how scared these women were to come out and speak about their experience. When I pressed it, one woman said to me, ‘There was a woman who came out to speak against this guy and she was essentially ejected from the community.'”

Lieu says there were six women in total with stories similar to hers who did not want to speak out. So, instead of pressing them, Lieu decided to approach organizers of an event that was set to honour the man and share her story on her own. A major donor dropped out and “that’s when shit hit the fan,” she says. “It took about five weeks of fighting with some of the executive directors—a few didn’t really believe me or understand what I was trying to say. They said things like, ‘We’re not going to ruin a man’s reputation over innuendo.’ I said, ‘Excuse me. It was not innuendo.’ I had this huge wake-up call that we’re not any better as a community compared to the rest of society.”

Armed with skills as a data scientist and a management consultant, she decided to do something about it—and #SafeOutside was born.

“The first thing I thought was, ‘I need to collect data and see how big of a problem this is,” Lieu says.

With an idea in the works, she reached out to her friend Katie Ives, editor-in-chief of Alpinist Magazine. From there, the two reached out to other magazines and organizations from across the U.S. and Canada—including the Alpine Club of Canada—and even further abroad to distribute a survey asking climbers about sexual assault.

In total, 5,339 people responded. “It is a huge sample size,” Lieu says. “It’s one of the biggest surveys ever done in the world on sexual harassment and assault.”

The major finding: one in two women have experienced sexual harassment or assault while climbing—that’s higher than the average of one in three women who will experience sexual violence in their lifetime, according to World Health Organization statistics from 2016.

More specifically, 47.3 per cent of women surveyed and 15.6 per cent of men said they had experienced some form of sexual assault or harassment while climbing, ranging from unwanted groping and kissing to verbal harassment and rape. Fifty-four of the respondents—42 women, 11 men and one person who didn’t specify their gender—revealed that they had been raped.

“People either stop climbing or stop climbing with people they don’t know or men altogether or (climb) in different ways,” Lieu says. “I think the goal for me, personally, and for my two partners (including Dr. Callie Marie Rennison, a renowned victimologist), is to create not just awareness in the outdoor industry, but also to give people tools to address it.”

To that end, the team has developed a toolkit complete with best policy and procedures for outdoor organizations to follow, educational materials with information on things like how to properly respond to victim disclosure, and bystander intervention, as well as basic information on what, exactly, constitutes sexual harassment.

Lieu says she first decided to take action, in part, because of similar training she received as a volunteer director for the Washington Trails Association.

“I wasn’t woke enough to do this a year ago, but I am now,” she says. “I talk to women who are exactly where I was a year ago who say, ‘What’s the big deal? That’s just the way the world is.’ A big part of my drive is to educate them—and educate men, too.”

Christopher Chalaka

Founder of Outdoor Asian

After graduating from college and moving from the Pacific Northwest to Albuquerque, N.M. for a year, Christopher Chalaka noticed one big difference on the trails in the Southwestern state.

“I noticed people of colour everywhere,” he says. “Like brown people, a lot of people speaking Spanish, and I was just floored. It made me think, ‘Wow, it could be different.'”

Chalaka’s father is originally from South India, while his mother immigrated from a fishing village in Taiwan, but he grew up in Everett, Wash., located between Bellingham and Seattle.

“If you get off the beaten path anywhere outside the main trails, it’s still super white,” he says of Washington hiking. “I found out about Latino Outdoors and Outdoor Afro and I was like, ‘Alright, I’m joining Outdoor Asian. Where is it?'”

It turns out the group didn’t yet exist.

Inspired by the two groups’ social-media accounts, which showcase people of colour exploring the outdoors, he decided to take matters into his own hands by launching a Facebook page, then an Instagram account.

Shortly after, José González, founder and director of Latino Outdoors—which, in addition to its social-media accounts, is a non-profit organization that connects Latino communities with the outdoors—invited Chalaka to join the organization’s leadership conference in Oakland, Calif. “I was totally fanboying over that,” he says. “I saw they created this amazing community … (with) people out of the state and in different regions. I was like, ‘This is amazing. Everyone is barbecuing, speaking Spanish, expressing the culture in the ways they want,’ and it was really beautiful.”

In the two years since launching, Outdoor Asian has hosted several meet-ups and attracted over 1,700 followers to its Instagram account, which features stories of Asian people as they explore the outdoors.

There’s also been an influx of similar social-media accounts in recent years. Alongside those that originally inspired Chalaka, they include Brown People Camping, Unlikely Hikers and Indigenous Women Hike, to name just a few. While social media can be overrun with users curating shallow and incomplete versions of their lives, these accounts seem to be the antidote, aiming to lift up and encourage their followers.

“For the new generations, it’s important for them to have role models and mentors,” Chalaka says. “(People) feel pride about their community. They want to feel like their community is represented and feel like their voice is being heard, because there are big decisions being made in retail, environment, (at) non-profits and they affect people of colour, but sometimes we might feel invisible.”

For its part, Outdoor Asian has seen submissions for features and messages from around the U.S. and in Canada, too. “People aren’t that far, but we have this border,” he adds. “We share a lot in common.”

Going forward, Chalaka hopes to grow the community. “My vision would be to create a platform where we are adding to the outdoor narrative in a specific API (Asian-Pacific Islander) lens and a creation of a space where we can speak about issues that are pertinent to our community and the communities that are adjacent to us and creating community,” he said.

Promoting diversity in mountain biking

Jay Darbyshire’s moment of clarity arrived after the controversy.

Back in 2016, a trail runner in Kelowna, where Darbyshire lives, came across trails with offensive names like “Squaw Hollow” and “TheRapist” and wrote about it in a blog post, which local media picked up. As the field-program coordinator with the International Mountain Bicycling Association (IMBA) and co-chair of the IMBA Canada BC council, Darbyshire knew he had to respond.

“I started to evaluate what we do as a community and how that affects our ability to be effective as mountain-bike advocates,” he says. “We can’t do the work we do without addressing these things.”

In part, the epiphany resulted in IMBA partnering with the North Shore Mountain Bike Association to host the Western Mountain Bike Advocacy Symposium. The theme of the October forum was “Building Diversity in the Mountain Bike Community.”

The day-long event attracted mountain-bike organizations and enthusiasts from as far away as Canada’s East Coast, the prairie provinces and Vermont, Darbyshire says.

“Personally, I went in without expectations,” he adds. “I came out of it feeling empowered, informed and like we sparked a little bit of change that’s going to outflow into various areas where the participants came from.”

As a white male in his 30s, Darbyshire admits he slots perfectly into the predominant demographic of mountain bikers. But his personal motivation was to give others access to the sport.

“Mountain biking saved my life, in a way,” he says. “The idea that our behaviour can disenfranchise or alienate someone through our actions, it pains me to think mountain biking might not save someone else’s life because it might not be something they can pursue.”

What emerged from the symposium was a list of concrete ways for the various attending organizations to help make First Nations, women, youth, LGBTQ2i+ and differently abled people feel welcome in the mountain-bike community. It includes things like using gender-inclusive logos, imagery and pronouns, standing up to “toxic behaviour,” hosting pride events, and adopting policies that support Indigenous reconciliation.

“The inherent masculinity of the sport, or inherent culture that portrays itself as being an extreme, aggressive, male-dominated sport, that’s one of the barriers,” Darbyshire says. “It’s hard for someone to want to participate in an activity if they don’t see themselves reflected (in it).”

While Trevor Ferraro, manager of operations for the Whistler Off Road Cycling Association (WORCA), says he’s never felt a divide as a mountain biker of colour, he agrees that more needs to be done to help attract a more diverse set to the sport.

“I don’t notice it so much on the trails,” he says. “I interact with a lot of the members through the events we have and I oversee camps we have. I find that people come from all over to live in Whistler … More people have quite diverse backgrounds already, but that can be expanded in terms of the people involved.”

Ferraro attended the symposium representing WORCA and says the organization has already implemented some of the suggestions. For one, WORCA plans to host more social events with less of a competitive focus next season—aimed at beginners—as well as improving youth access to the sport and organizing additional women’s events.

“We have 30-per-cent female and 70-per-cent male (membership), but we’re looking to increase that,” Ferraro says. “We know there are more female riders, so we want to represent that.”

That said, many organizations and companies at the symposium had set a goal of 25-per-cent female representation, he added. “(Mountain biking) is definitely growing. Hugely,” he says. “Snowboarding has plateaued for a long time. (But) you look at the numbers in the bike park and on the trails, it’s growing by a significant amount.”

To that end, Darybyshire believes it’s also time for the sport to “grow up.

“I was never in a place where I saw it as a sport as not open to me, so I don’t have that frame of mind to see where people are coming from, but I want to work towards being a community that is open to everyone,” he says.

First Nations representation in skiing and snowboarding

When Court Larabee read the job description for Whistler Blackcomb’s (WB) new Indigenous Relations Specialist position, he felt like the role was tailor-made for him.

“It felt like something I wrote myself,” he says.

It turns out, WB felt the same way; Larabee has held the position for the last six months.

“My role is a key commitment within our 60-year relationship with the Lil’wat and Squamish Nations,” Larabee says, referring to the landmark agreement the ski resort signed with the Lil’wat and Squamish Nations in March last year. “The role is mandated to focus on building employment opportunities for both nations. A key component of my role is executing Indigenous HR strategy with both nations.”

On top of helping WB, owned by Vail Resorts, become an “employer of choice” for Indigenous workers, Larabee is also tasked with building cultural inclusiveness at the company.

“What we’re going to do to move the needle over the next couple years is see if we can get the kids involved in recreation—we can get them through the school program into a season-pass program—at the same time they get to explore Whistler Blackcomb … and have an affinity for wanting to work with us,” says Sara McCullough, WB’s director of government and community relations.

On top of that though, it’s important for Lil’wat and Squamish Nation youth to have access to their traditional territory, she adds.

“It’s one of the things elders in the community have been interested (in),” she explains. “I see that growing.”

Employing more local Indigenous people has long been seen as a mutually beneficial solution to Whistler’s labour shortage. WB wouldn’t reveal how many Indigenous people it currently employs, but in October 2016—shortly after Vail Resorts took over WB—Joel Chevalier, then-vice president of employee experience, told The Question (Pique’s now-shuttered sister paper) that of WB’s some 4,100 employees, only 11 were Indigenous.

On top of being tasked with helping improve those numbers, Larabee—who is originally from Thunder Bay, Ont. and is grandson of the Lac des Mille Lacs First Nation’s Chief Thunderbird, as well as the descendant of five chiefs from the past 120 years—also pulls double duty as vice president of the First Nations Snowboard Association, which runs the First Nations Snowboard Team (FNST).

Started in the Sea to Sky corridor in 2004, the organization now has six divisions across Canada and boasts about 230 members. Its goal is to get Indigenous youth on a snowboard—with many going on to a competitive level—all while teaching them about fitness, nutrition and healthy living.

“Our season is looking bigger and brighter than it ever has,” Larabee says. “Our numbers are up in the area, our coaching staff is up and the community support is greater than ever.”

Part of the FNST’s success is that it addresses some of the barriers local Indigenous youth face getting on the mountain—namely transportation and purchasing pricey gear. “We find any gaps in gear and take donations from the community and do callouts to fill any voids before the season starts,” Larabee notes.

The magic, though, is how skiing and snowboarding can be a great equalizer.

“When the kids show up to the hill, when they put their goggles on and their jackets on, there is no unconscious bias anymore. This is the way to even the playing field,” Larabee says. “When they have just a little smile showing through, that means everything to me. They feel like they’re welcome, that this is their home. This is their territory; they should always feel welcome here.”

Going forward

In October, Mountain Equipment Co-op (MEC) issued an apology. In an open letter, CEO David Labistour started by asking, “Do white people dominate the outdoors?”

According to the outdoor company’s own survey, they don’t at all. But, Labistour pointed out in the letter, MEC’s advertising doesn’t reflect that diversity.

“This initiative isn’t about patting ourselves on the back,” he wrote. “It’s also not about me, another straight white male with a voice in the outdoor industry. This is a conscious decision to change, and to challenge our industry partners to do the same.”

In its most recent annual membership survey, MEC found that people of colour were actually more likely to be active in the outdoors than white people.

“It’s not just advertising, it’s the images on your website and store displays. It’s how you present yourself as a brand,” Labistour said in an interview with Pique shortly after releasing the letter. “If we want to be an inclusive, Canadian-based organization that represents the demographics of Canada, and particularly the communities we’re in, but everything visual you see is white, and most of our staff is white, we’re not going to be seen as a relevant brand to those people.”

(In November, MEC announced Labistour would be stepping down in June, but did not disclose the reason.)

As many people have pointed out, outdoor-industry advertising has long perpetuated the image of the outdoors as the domain of slim, white, young people. But as people of colour continue to push the conversation around diversity in the outdoors, slowly, some companies are starting to listen. (It also doesn’t hurt that appealing to more diverse demographics could positively impact their bottom line.)

“I think there’s a shift happening because of social media,” Powell, founder of the Refuge Outdoor Festival, says. “We weren’t part of the industry. There weren’t as many people who looked like us. Once your eyes are opened, you see (that’s not true). Social media is playing a huge role in that. We’re all finding our communities … We are here and present in this community.”

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Opinion | 'Nature keeps me grounded': How burns, racism and death inspired this WA outdoor festival

Opinion | ‘Nature keeps me grounded’: How burns, racism and death inspired this WA outdoor festival

Powell was released from Hermann on May 12, a date she counts as her “second birthday.” Her friends call it her “Phoenix birthday,” because she rose from the ashes like the mythical bird.

“I’ve been gifted a lot of life I wasn’t supposed to have,” Powell said. She had 14 surgeries by the time she was 15 years old. The last one unsuccessfully attempted to lower three toes in her right foot to the ground. Rather than try again, she decided to keep on moving.

Powell’s many travels landed her in Seattle, where last year she launched the Refuge Outdoor Festival, a three-day camping experience geared toward people of color and their allies. The event centers on community building and includes workshops and arts and other outdoor activities. The second edition will be held Sept. 27-29 at the Tolt-McDonald Park and Campground, near Carnation.

This year’s festival will be capped at 300 participants. People, including Powell’s parents, are flying in from other parts of the country, prompting her to contemplate holding similar events in other regions of the country in 2020.

The festival was inspired by Powell’s experiences at Camp Janus, which she calls “Burn Camp,” a therapeutic and recreational camp in Texas for burn victims. “Burn Camp” revealed to her not only the healing power of nature, but of sharing space with people who either looked like her or shared her circumstances, whether they be racial or gender identities or surviving fire.

Powell is Black, with a cleanly shaven head and a friendly face framed by smoothed-over scars. She comes from an event-planning background. This particular event, the Refuge Festival, happens to be mission-driven, though not in a way that others might assume.

One of the dominant false narratives of the outdoors is that people of color are missing from it. Purveyors cite statistics showing whites accounting for nearly 80 percent of visitors to national parks or 93 percent of bird watchers. On the other hand, 70 percent of respondents to a survey of nonwhite voters said they participated in outdoor activities on public lands.

“We need to change the conversation because people of color do [outdoor] things,” Powell said. “We just talk about it differently. We don’t talk about being outdoors. We just go fishing. We just go do the activity.”

Nature was why Powell relocated to Seattle nine years ago, but she already was immersed in it. One of her childhood preoccupations — in addition to a fascination with fire (“I was a little pyro,” she says) — was wanderlust. In grade school, she studied maps of her native Texas, the United States and the world. She became determined: “Oh, I’m going everywhere.”

On a quest to visit all 50 states (she is up to 44), Powell checked off Oregon, then Washington, during an Amtrak trip to Chicago. In Seattle, she spied mountains, trees and water, and vowed to return. She eventually did, taking a job with AmeriCorps, a domestic community service program.

After founding her consulting business, Golden Bricks Events, Powell landed at REI as an event planner. There, she used an employee grant to take a solo backpacking trip in New England, not long after her first-ever backpacking trek, which she did with a group of women of color that summer.

Powell had driven to Stowe, Vermont, where she planned to spend the first night of her two-week journey in a hotel. While checking directions, she noticed she was being followed by a police car. She’d had her share of driving-while-Black incidents, but this one was different.

The white male officer followed her into the hotel parking lot. When Powell exited her car, he blasted his siren and ordered her back in. “What are you doing here?” he asked. She explained her trip, pointed out her pack in the trunk and pair of hiking shoes on the back seat.

“That’s unbelievable,” the officer told Powell, making a not infrequent assumption. He radioed for backup. When it arrived, Powell overheard the first officer uttering the word “unbelievable” several more times, then the second one saying, “Let her go.”

The trip was not derailed. Powell later hung out with a white family in Acadia National Park in Maine, after they helped recover the keys she’d locked in her car. She even encountered one other Black person, a man also from Texas; he too was trying to visit all 50 states. She didn’t mention her first-night incident with the police to anyone, not even him.

Already a seed in her mind, the idea of a Refuge Outdoor Festival began to germinate, she says. “I started thinking, what can I do so things like this don’t happen to people?” Powell added. “I do events.” She went back to REI, then left to start her business.

Death, her lifelong shadow, provided a final push. Powell lost 11 family members during a nearly yearlong sequence. The eighth was a cousin everyone called “Plump.” Powell had just returned from the funeral of another cousin when she received the call about Plump’s passing.

It was a sign to get serious about staging the Refuge Festival.

“Nature keeps me grounded,” Powell said. “It shows that there’s more than just the things I’m dealing with. There’s a grand expanse. … I’m a piece of the puzzle and not everything in the puzzle. It goes back to the community and engaging that community in trying to make this a better place to live for future generations.”

It’s apt that Chevon Powell does what she does to help preserve the future. After all, she wasn’t even supposed to have one.

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Creating a Refuge for People of Color in the Outdoors

Creating a Refuge for People of Color in the Outdoors

How Chevon Powell built an event for people of color in the outdoors — and why that’s more important than ever right now.

By Crystal Gartner

On the way to her first solo backpacking trip in Vermont, Chevon Powell, a Black woman, was confronted by a White police officer, who followed her into her hotel’s parking lot and turned on his sirens. He questioned why she was in the area and called for backup.

“He said that it was unbelievable that I would be in Vermont to go backpacking, which is just a whole lot of levels of ridiculousness,” Chevon said.

Chevon at Refuge.
Chevon wearing a Refuge shirt while at Tolt-MacDonald. Photo by Chevon Powell.

Chevon was finally released, and she did take her backpacking trip. But that harrowing incident stuck with her and became part of her motivation to shift the mission of her company, Golden Bricks Events.

“The outdoors hasn’t always been that welcoming for people of color, for Black folks,” Chevon said. “We know the national parks used to be segregated. We know that there are trees that hung people that are still in prominent American parks. After that incident in Vermont, I thought, I can use my skills to create something that makes the outdoors a more welcoming place for Black people.”

That day sparked Chevon’s idea to create events centered on people of color and, after the tragedy of losing several family members in the same year, Chevon knew she needed an event that would offer refuge. She named her event exactly that, Refuge, and planned it as a multi-day camping experience geared toward people of color, centered on building community through outdoor recreation, conversations, workshops, live music and art for a diverse and inclusive audience.

“When traumatic things happen to you like family loss, you are reminded that your time is limited,” Chevon said. “Nature is my place of refuge and healing. I knew that other people that looked like me probably needed that too, now more than ever.”

The first Refuge was in September of 2018, attended by 140 outdoor enthusiasts from all over Washington and the country. Even though Chevon endured the loss of 11 family members that year, she planned and launched the first Refuge Outdoor Festival in just 7 months.

Refuge attendees participate in SynchroniciTea.

Held at Tolt-MacDonald Park, in the Snoqualmie River Valley, the inaugural Refuge offered a wide menu of activities that met all levels of outdoor experience, including outdoor yoga, bikepacking, discussions on race and privilege, sharing of history of communities of color in the outdoors, and of course, outdoor cooking and live music.

Refuge was held again in 2019. Then this year, when the pandemic hit, followed by uprisings to protest police violence against Black people, Chevon pivoted to turn Refuge into an online camp-in, to protect communities and provide healing.

“For me there was this urgency to make sure that this still happened,” she said. “There are folks that just need a weekend reprieve from the stuff that happens in everyday regular society, which is what I always hope Refuge is,” Chevon said.

This year’s Refuge, which was in September, focused even more sharply on social justice. Folks from all over the country gathered online for a weekend of entertainment, activities and workshops including How Disability Justice Will Build Caring Communities, Exploring the Arctic National Wildlife Refuge, Backpacking Basics & Connecting with Nature During Covid, a DJ battle, affinity groups for White, Black and other people of color, and many other activities organized for joy and healing.

A group of Refuge attendees head off on a morning bird watching session.
A group of Refuge attendees in 2018 head off on a morning bird watching session. Photo courtesy GBE.

“A lot of the narrative around the outdoors has been from a White male perspective,” Chevon said. “To know that there are other voices and other ways of being in the outdoors is powerful for BIPOC folks. All of our different ways of being in the outdoors are valid and important. Some Refuge participants only go outside in their neighborhood but want to know more about the outdoors. Some people are full backcountry experts. Refuge gives them that shared experience. There’s a lot of power in the knowledge sharing that happens in Refuge. It helps people feel comfortable to do these activities. There are a lot of workshops as well to empower people to care for themselves and for community, and that has a ripple effect.”

Chevon’s love of nature and the outdoors began in childhood. “I started really young by going to a camp for burn survivors,” she said. “I learned to fish and became a Girl Scout. That turned into a love of hiking, camping and backpacking. Just get me in a tent and I’m a happy girl.”

With a lifetime of outdoor experience, Chevon knows racism is still a problem on trail. “The looks I get, the comments like, ‘Oh I’m surprised to see you out here,’ the ranger coming to my campsite because I’m ‘too loud’ when I’m no louder than any of the other folks around who don’t get the same visit,” she said. “There’s this perception that someone who looks like me isn’t a part of the outdoors.”

Chevon and friend wearing Refuge shirts.
Chevon (left) created Refuge in 2018 as a way for people to come together and find community and healing. Photo courtesy GBE.

Chevon hopes that Refuge and other efforts are changing who people expect to see in the outdoors and changing assumptions about their level of experience.

“For years I hesitated to say I was into the outdoors or into certain things in general because society has told me that if you are Black you can’t do those things. That’s why having a space like Refuge to share knowledge is important,” Chevon said. “Maybe someone else that was previously like me will be like, ‘OK, I am into this, this is something I do and it’s not a secret.’”

For Chevon, Refuge is an extension of her personal journey of growth and healing. “Not only just from the types of trauma that we all experience in life, but also the trauma of being a Black person in America, of being a burn survivor in America.”

After this year’s Refuge, Chevon received messages that it was indeed a needed respite from everything. She is excited to look ahead to having people connect in person at next year’s Refuge.

Refuge 2018
An artist at the 2018 Refuge Event. Photo courtesy GBE.

“I do want us to continue making this accessible to more people,” she said. “It’s likely to be a hybrid event, holding some activities online, because that is the only way some folks can access the outdoors.”

In the closing moments of Refuge, Chevon told participants, “Community is at the center of all of this. Don’t let Refuge be just this weekend. Let Refuge be the way that you show up in the world. Take those things that are awakening inside you and move into a moment of action. That may be ‘I need to move around my house more.’ or ‘I need to be out here at these marches.’ Do whatever it is that you need to do for you, so that we as a community, as a people, can come to a better place in the world.”

Watch Refuge online

Visit the resource page on the Refuge website for links to some of the presentations. Or, visit the GBE Outdoors channel on YouTube for the full Refuge playlist.

How to support Refuge

  • Volunteer. Help is needed during the off season for a variety of tasks.
  • Donate. You can help Refuge have the funds needed to organize activities and speakers.
  • Share. If you have or know of resources that would help Refuge’s mission, connect with Refuge. For example, at last year’s festival, Refuge was able to provide tents and sleeping bags for 10 people who didn’t have gear. For more info or to help, email info@refugeoutdoorfestival.com.

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Gratitude to Refuge Outdoor Festival - Wildlife Recreation and Coalition

Gratitude to Refuge Outdoor Festival – Wildlife Recreation and Coalition

October 9, 2020

The virtual 2020 Refuge Outdoor Festival was nothing short of an amazing experience and to be quite honest, I didn’t miss the outdoors.  It was originally created in 2018 as a 3-day camping experience geared toward Black, Indigenous, people of color (BIPOC), allies welcome. Typically a cross between a family reunion, summer camp, and rejuvenating retreat where daily outdoor recreation activities, community conversations, nightly concerts, and art exhibits are its focus, I didn’t really know what to expect with the festival becoming a virtual camp-in. But the lineup of workshops and presenters sounded dope so my spirits were high.

To get into the camp-in mood my partner and I built a tent out of our living room furniture, a golf club (we got creative), rainfly, and string lights. We got comfy and the festival kicked off with a presentation on How Disability Justice Will Build Caring Communities. Vasu Sojitra spoke about “everyone’s collective ability to build nurturing, caring communities that shift from workaholism, impatience, and dehumanization of our bodies and minds toward a more caring, loving space that creates welcoming and accessible spaces for everyone.”  If we take the time to work towards an environment where everyone’s needs are met, we will have created a space that benefits everyone. This theme resonated throughout the rest of the Festival.

This was the first outdoor event I have attended that was geared toward BIPOC and created by BIPOC which made all of the difference. There is a small group of people I have felt comfortable being my full self with in the outdoors and I wasn’t quite expecting to find this same freeing feeling with a group of mostly strangers at Refuge Outdoor Festival. But the organizers of Refuge created a virtual space where I felt I could show up as my full self. They included people with broad ranges of experiences and identities who were working in collaboration to create an event for people with similar experiences and identities. Similar to Vasu’s presentation, when everyone’s needs are met, everyone benefits. By creating a space with the intention to meet the needs of BIPOC and inviting workshop presenters who identified as disabled, queer, trans, and BIPOC, the space felt comfortable and welcoming to a diverse group of participants.

I would like to send love and gratitude to Golden Brick Events and the Refuge Outdoor Festival for an unforgettable weekend. You all introduced me to a type of space that I didn’t know existed and something that I have been missing, one that is designed for someone like me. Refuge Outdoor Festival demonstrated the importance of having diversity in areas of race, gender, sexuality, physical ability, and cultural background in the planning and decision-making process and designed something made for those of us who are commonly left out of the conversation. By centering and celebrating the marginalized, you created something even better, an event filled with empathy, intentionality, realness, and inclusivity for all individuals. You have set the bar high for other virtual and in-person events and all organizations can learn from you!

Golden Brick Events has other events in the works and if you haven’t already, please go and check them out!

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She Explores Episode 82: Nature Up Close - Science Illustrator Kristin Link

She Explores Episode 82: Nature Up Close – Science Illustrator Kristin Link

Episode 82: Nature Up Close

Interview with Science Illustrator Kristin Link

Banner image art and photo by Kristin Link

Sponsored by Victorious, OtterboxuBiome, and RxBar

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Kristin Link is a science illustrator and an artist living off the grid in McCarthy, Alaska. She shares about her life there, why she loves helping people see the natural world up close through science illustration, and her tips for applying to artist-in-residencies at national parks.

Find the episode below, on Apple Podcasts, Stitcher, GooglePlay, or wherever you stream podcasts.

Featuring: Kristin Link, with a special intro segment featuring Chevon Powell, founder of Refuge Outdoor Festival.

Hosted by Gale Straub 

Subscribe to She Explores podcast via Apple Podcasts, Stitcher, Spotify, and Google Play.

Music is by Jason Shaw, Lee Rosevere, Doctor Turtle, Steve Combs and Kai Engel via freemusicarchive.org.

In this episode, you’ll hear:

– Chevon Powell share her vision for the Refuge Outdoor Festival coming to Tolt-MacDonald Park September 28 – 30, 2018
– About Kristin’s life off the grid near McCarthy, Alaska
– What brought Kristin to Alaska and how it lead her to a career in science illustration
– What science illustration is and the different ways you can pursue it as a career
– Why Kristin focuses on the environmental aspects of science illustration
– About artist-in-residencies programs through the National Park Service
– What the application process is like for artist-in-residency programs
– The goal of Kristin’s work, whether it’s science illustration or fine art
– How it’s difficult to live sustainably, even when you’re living off the grid
– How Kristin’s relationship with the land and its history has evolved in her time living in Alaska
– Why science illustration will never go away as a profession and why she recommends it for others interested in art and the environment

Kristin and her work

Kristin backpacking in the Wrangell St-Elias, Photo by Greg Runyan

Watercolor and pen on a page from a scientific article about climate. From Kristin’s time as artist in residence and faculty with the Juneau Icefield Research Program

Watercolor and pen illustration of plants, cryptobiotic soil, and rocks on the Nizina River where she lives

Talking about and sharing work from Kristin’s artist residency on the Chilkoot Trail in Skagway, Photo by NPS/R. Harrison.

Mixed media artwork on a geologic map of the Wrangell-St. Elias where she lives.

Gouache and pen sketchbook page from the Wrangell-St. Elias

Interpretive sign Kristin illustrated for the Copper River Watershed Project. This is the project she was talking about with getting people to connect to the landscape and the bigger watershed while stepping out of their vehicle on the side of the road.

Another image exploring what is happening under the glacial surface. This one was inspired by spending a summer guiding and taking people for day hikes on the Root Glacier in the Wrangell-St. Elias. When Kristin went to school for science illustration she wanted to create an image to describe what was happening with the moulins, crevasses, and rivers that they observed on the surface of the ice.

Refuge Outdoor Festival

Links/Resources Mentioned in this Episode:

Artist-in-Residencies info from Kristin

Call For Entry is a website that lists calls for visual artists. There are several residencies in national parks that post there, including Gates of the Arctic

The Wrangell Mountains Center, the nonprofit where Kristin used to work, also has a residency application there and hosts a two-week residency in McCarthy and the Wrangell-St. Elias. Their application is also on CaFE.

Voices of the Wilderness is a collection of artist residencies on public lands and wilderness areas in Alaska. It is one application where people can apply to many opportunities. In 2017, Kristin did a residency in the Nellie Juan – College Fiord Wilderness Study Area with the Forest Service in Prince William Sound. There is no fee to apply which she appreciates.

The Chilkoot Trail Artist Residency has it’s own application hosted on the Yukon Arts Center’s website. Also no fee.

Some artist residencies are just listed on NPS websites or organizations that work with them, so it can be worth searching around. A surprising number of places have artist residencies, and it seems like there are more becoming available. Here is the Joshua Tree National Park one, which she did in 2016. 

Signal Fire is an organization that hosts artist residencies for groups of artists on public lands. They take out groups of people of all experience levels and are accessible to people who have never been camping or backpacking before. Kristin did a backpacking trip with them in the Chiricahua Mountains in 2017.

Sponsor Websites & Codes

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Inclusion Outdoors: Refuge Outdoor Festival - Wildlife Recreation and Coalition

Inclusion Outdoors: Refuge Outdoor Festival – Wildlife Recreation and Coalition

October 3, 2018

I spent this past weekend in Carnation — my sleepy childhood hometown along the Snoqualmie River where farms and ranches line the highway and mist clings to the valley trees in the early hours of the morning. I didn’t drive out to admire the hills painted in fall foliage or to look for spawning salmon under the Tolt-MacDonald Bridge, although both are popular activities in the autumn. The reason I was there was to attend the Refuge Outdoor Festival in its inaugural year.

Refuge is a festival for people of color and their allies to explore and celebrate nature, diversity, and life. The festival was sponsored by the Coalition and many of our partners, including REI, The Nature Conservancy, Washington Trails Association, Washington State Parks Foundation, The Mountaineers, Conservation Northwest and more — all groups like us that realize diversity and inclusion in the outdoors is vital to the future of our outdoor spaces as our communities become more diverse.

The thirty hours I spent at Refuge were filled with inspired discussions, powerful testimonies, and a sense of community and solidarity rarely felt by people of color outside. At noon on the first day, as small group of us sat in the baking sun fighting tears while sharing our stories, I found my mind and body letting out a collective sigh of relief and release, grateful to be surrounded by my people.

Reflecting on my experience outdoors, I was fortunate to have been raised in a family that camped in the moss-blanketed Olympics, snowboarded on the slopes of the Cascades, and hiked the wildflower-lined trails on Rainier. But even for someone like me who grew up with access to outdoor recreation, the outdoors isn’t always a welcoming place. The number of times I’ve experienced shameless racism on the trail would be shocking if I hadn’t already come to expect it.

Merriam-Webster defines “refuge” as “a place that provides shelter or protection,” and that’s what Refuge Outdoor Festival provided — a space for a community that not only shares a love of being outside, but also shares culture and understands the struggle people of color can have navigating outdoor recreation. Refuge won’t happen again for another year, but I’ll continue striving to open up spaces for conversations and community year-round, so that we can have a diverse and inclusive outdoors.

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